内容摘要：Didi-Stone poses for photographers upon arrival at the premiere of the film ‘The History of Sound’ at the 78th international film festival, Cannes, southern France, Wednesday, May 21, 2025. (Photo by Scott A Garfitt/Invision/AP)

Didi-Stone poses for photographers upon arrival at the premiere of the film ‘The History of Sound’ at the 78th international film festival, Cannes, southern France, Wednesday, May 21, 2025. (Photo by Scott A Garfitt/Invision/AP)

Granner, 43, has portrayed Korey Wise since the opera’s launch. He says it did cross his mind with these performances whether opponents to the show could become violent.“Is somebody going to come in and shoot up the building?” he said. “They did very well in hiring extra security. We always felt safe.”

With the performances done, Granner now wonders whether Trump’s approach to the arts will shape audience interest and reactions in productions and other creations that don’t fit with the president’s idea of fine art.“With the way the political climate is, I don’t really foresee (another performance of “The Central Park Five” opera) in the states in the next few years,” Granner said, adding that if the opportunity arises, he would reprise the role of Wise.NEW YORK (AP) — As he turned 80 this week, John Fogerty was in a mood to honor his past and to revise it.

We should all be so alive and so remembered at his age. Fogerty, in the midst of an international tour, played a rowdy 100-minute set Thursday night to an adoring, near-capacity audience at Manhattan’s Beacon Theatre. Crowd members spanned from those likely to remember “Proud Mary,” “Fortunate Son” and other Creedence Clearwater Revival hits when first released a half-century ago to those looking young enough to have heard about them through their grandparents.At least from a distance, Fogerty didn’t look or sound much different from his prime with Creedence, which was rarely off the charts between 1969 and 1971. He wore his trademark flannel shirt; had the same shaggy haircut, although with his bangs brushed back; sang with a vintage roar that has mellowed only slightly; and even played the same guitar, a Rickenbacker, that he had acquired back in the late ‘60s.

Fogerty presented himself as a proud rock ‘n’ roller, and a very proud family man. His band includes two of his sons on guitar, Shane and Tyler, with daughter Kelsy briefly joining them on a third guitar. Off to the side was his wife, Julie, whom he praised as the love and the hero of his life, if only because she gave one of the greatest gifts an old rock star could ask for: She helped win back rights to his song catalogue. Fogerty had battled over his copyrights for decades, and at one point found himself being sued for plagiarizing one of his Creedence hits, which at the time he didn’t own.

He has marked his victory with an upcoming album, “Legacy,” for which he recorded new versions of 20 songs. If you were in the house Thursday night, you couldn’t help hearing about it. A promotional film about “Legacy” opened the show and Fogerty mentioned it again before his encore set. Both the album, subtitled “The Creedence Clearwater Revival Years,” and his concert tell a story of how he wants to look back.Sally Kellerman played Houlihan in the movie version and Swit took it over for TV, eventually deepening and creating her into a much fuller character. Her sexuality was played down and she wasn’t even called “Hot Lips” in the later years.

The growing awareness of feminism in the ’70s spurred Houlihan’s transformation from caricature to real person, but a lot of the change was due to Swit’s influence on the scriptwriters.“Around the second or third year I decided to try to play her as a real person, in an intelligent fashion, even if it meant hurting the jokes,” Swit told Suzy Kalter, author of “The Complete Book of ‘M.A.S.H.’”

“To oversimplify it, I took each traumatic change that happened in her life and kept it. I didn’t go into the next episode as if it were a different character in a different play. She was a character in constant flux; she never stopped developing.”Alda praised Swit as a “supremely talented actor” in a