The weaknesses in Britain's contribution to Nato became starkly apparent in February this year, when a group of British MPs visited a Nato military site in Tapa, Estonia, where British soldiers are deployed (alongside Danish and French troops). The point of the base is to deter or slow down an invasion from Russia - which is just 80 miles away over a land border.
"They are leaving because they don't want to embrace the changes that are taking place in our country and our constitution," said South African President Cyril Ramaphosa.He later
as he addressed farmers at a convention held in the Free State province.The president's sentiments were echoed by many South Africans, including Mr Janse van Vuuren, who is proud of his Afrikaner origins.While he was not raised in a farming family, he has relatives and friends in agriculture who have been victims of crime.
He said that while it was undeniable that some farmers faced "genuine threats and hardships", it was important to be cautious "when discussing claims of persecution or discrimination that portray an entire group as victims of targeted violence or systemic oppression".While many white South Africans echo Mr Janse van Vuuren's sentiments, there are also those who see themselves as a persecuted minority.
Among them is Ilse Steenkamp, who along with her family, has applied for the programme but has not received feedback. She did not want us to use her real name.
Ms Steenkamp, 47, and her husband, both Afrikaners, were commercial farmers but said they had lost their land recently after it was invaded by people who "took over the whole farm" just as they were about to sell it in order to "downscale".But it is more than just the driving energy of Common People that has made it an enduring success.
The lyrics and narrative also captured people's imagination.From the intrigue surrounding the mystery student who inspired the opening lines -
to the acutely observational reflections on working-class life.Speaking in 2004, Cocker, who grew up in the Intake area of Sheffield before going to study film at St Martin's in 1988, said: "It was [written] not that long after I had moved down to London and so the sensibility is definitely that of somebody moving from up north to down south.