内容摘要：Abdool Corlette, head of brand for the American Civil Liberties Union and a co-creator of the project, said a message needed to be sent.

Abdool Corlette, head of brand for the American Civil Liberties Union and a co-creator of the project, said a message needed to be sent.

“I’m trying to win games and affect winning. We’ve still got to do that at a high level, so that’s really where my focus is on more than anything.”The Sparks are counting on her championship experience to help them back to that level. They entered this game 2-4 and haven’t finished with a winning record since going 15-7 in 2020 in the COVID-shortened season.

“She’s won everywhere she’s been,” Roberts said. “She was a key part of Vegas, their success. ... She’s ready for that point in her career, and she’s earned it.”The more immediate priority for Plum was beating her old club, saying the teams that are separated by just a four-hour drive was not a rivalry — yet.“They’ve kicked our (butt),” Plum said. “We’d need to win at least six or seven more matchups, respectfully, for it to be a rivalry. It’s like the Giants and the Jets.”

The Indiana Fever will be without star guard Caitlin Clarkas she deals with a strained left quad.

The reigning Rookie of the Year was injured while playing against New York on Saturday. If Clark does end up returning in two weeks, that would put her on target to be back for the Fever’s rematch against New York on June 14.

She’d miss games at Washington, Chicago and Atlanta as well as home contests against Connecticut and Washington. The game on Wednesday against the Mystics was moved to the 14,000-seat CFG Bank Arena in Baltimore to accommodate a larger crowd. Capital One Arena in Washington wasn’t available because of summer renovations.hit man is given a nightmare final assignment to train his own

replacement in Simon West’s lifeless action-comedy “Old Guy.”Danny Dolinski is the one at an unwelcome crossroads in the film. He’s only partially healed from a hand injury that’s rendered him dependent on pills and unable to aim a gun as well as he used to. Dolinski also seems to be in the throes of a full crisis: We meet him not on the job, or even in flashback to his pre-injury glory, but out clubbing. The next morning, Dolinski emerges in a bathrobe to gaze proudly upon the several much younger women who have spent the night.

But a room full of scantily clothed model-types who seem to be there willingly is only a temporary balm for poor Dolinski. While he might still be a viable specimen for the 20-something party girls of London, his game does not hold the same appeal in the workplace. Soon he’ll be getting the dreaded “we’re going younger” talk from his boss, and she’s talking about him, not his love interests. This is a guy who is certain he’s got a lot left to give in the assassin game, and not as a mentor to a “hitman prodigy,” as Cooper Hoffman’s character Wihlborg is described.Is a familiar conceit like the wise veteran and the cocksure newcomer tired or a classic? Well, it’s all in the execution. And “Old Guy,” stylishly filmed though it may be, is not one of the better attempts, likely hampered by the script from Greg Johnson. Generational clashes should be easy enough comedic fodder for a screenwriter and two capable actors, but here it lands with a thud. One likes to drink! The other doesn’t even like to be around alcohol! The more serious ethical questions about hitman etiquette are similarly inelegant. Take this gem from Wihlborg: “Where I come from one does what one needs to do to survive. That includes killing a kid.”