Historic repairs: A roundhouse

Hamish Crawford, 20, has been coming to the Orwell Panthers for 12 years after he was inspired by the London 2012 Paralympic Games - and British wheelchair racer Hannah Cockroft."Hannah Cockroft got me thinking, 'I want to do that', and I've competed at Lee Valley and a few other places," he explained.

"It gives me a bit of down time from college work because college work is quite busy."It's one of the things where I can just switch off, talk to my friends, coaches and talk about football as well."He said the club was brilliant at helping get "people with disabilities active".

A fire service has warned how teenagers starting campfires "as a bit of fun" can have serious consequences following several incidents.North Yorkshire Fire and Rescue Service said it had been called out to a spate of small fires started by young people in recent weeks.

In one instance, an aerosol exploded while a firefighter was putting out the blaze, resulting in a "large fireball", the service said.

Craig Lyons, watch manager for prevention, said: "What can start out as a bit of fun can soon get out of control and and it can end up causing some real damage and injuries."Emin rose to fame alongside the likes of Damien Hirst and Sarah Lucas as one of the YBAs. The Young British Artists, labelled in the late 1980s, were known for their openness to different material and processes, their shock tactics and their entrepreneurial spirit.

She had left school at 13, and has previously talked of being abused as a child and raped at that age. She tells me she only returned to education "by law" at 15 and only until she was legally allowed to leave. She spent most of her time in the art department.Emin only ever wanted to be an artist. The art teachers encouraged her. A while back, she actually bumped into one, Mrs Morris, in Marks and Spencer. "She was 86 then, and she was so proud of me and it was so sweet."

Emin has always made deeply personal work. My Bed, her groundbreaking 1999 Turner Prize installation, was a dishevelled double bed surrounded by overflowing ashtrays, used condoms and empty vodka bottles.But whether it was that depiction of a period in her life when she was at a low ebb, drinking too much and eating too little; or a neon sign proclaiming "I could have really loved you"; or any one of her visceral paintings, Emin has always poured her emotions, her experiences and her trauma into her art.