内容摘要：of the same name from Mara Brock Ali, who created acclaimed shows like “Girlfriends” and “Being Mary Jane.” This “Forever” features a predominantly Black cast in a love story between two teens living in Los Angeles at its center. Lovie Simone and Michael Cooper Jr. star. It drops Thursday, May 8.

of the same name from Mara Brock Ali, who created acclaimed shows like “Girlfriends” and “Being Mary Jane.” This “Forever” features a predominantly Black cast in a love story between two teens living in Los Angeles at its center. Lovie Simone and Michael Cooper Jr. star. It drops Thursday, May 8.

Even the longest-running and most tradition-bound of the majors,, is — gasp! — abandoning line judges and moving to an automatic system this year. The WTA and ATP added machine-generated rulings this season for tour events on red clay, the surface at the French Open. But Grand Slam hosts can do what they want, and the French tennis federation is keeping the human element.

scheduled to play his first-round match in Paris on Tuesday, understands why folks might prefer the way to keep things the way they were for more than a century in his sport. He gets why there could be an inclination to shy away from too much change in a world now drowning in cell phones and streaming and social media.“You don’t want to give everything away to the technology, right? But if I have to choose between the two, I’m more of a proponent of technology. It’s just more accurate, saves time, and ... (means) less people on the court” said Djokovic, 38, who was disqualified from the 2020 U.S. Open for inadvertently hitting an official with a ball hit out of frustration between games.That edition of the tournament in New York only placed line judges on its two largest courts, while others used an electronic setup, a nod to the COVID-19 pandemic. The Australian Open got rid of all line judges in 2021, a first at a tennis major;

The French Open remains a holdout, and that’s not likely to change anytime soon.“Unless the players are unanimous and come to us and say, ‘We won’t play if there isn’t a machine’ ... then I think we’ve got a great future ahead of us to maintain this style of refereeing,” French federation president Gilles Moretton said, while boasting of the quality of his country’s officials.

Players don’t sound that adamant, although they tend to echo the opinion of

, who is 21: “I mean, I don’t know if it’s like the ‘Gen Z’ in me, but I think if we have the technology, we should use it.”“Titane,” “Triangle of Sadness,” “Anatomy of a Fall” and

AP correspondent Julie Walker reports the Cannes firm festival awards it’s top prize Saturday to an Iranian film.All those films were Oscar contenders and two, “Parasite” and “Anora,” won best picture.

Last year, filmmakerto attend the premiere of his film in Cannes and resettle in Germany. Panahi, though, has said that unlike his friend Rasoulof, life in exile isn’t for him. He planned to fly home to Tehran on Sunday.